Kari and Maureen

Born on March 25, 1970, she is a Canadian actress. The village in which she was born, Spalding Saskatchewan Matchett began her theater career following her move to Ontario. In the latter part of the nineties, Matchett started her acting career in Canadian Television. After that, she relocated to United States where she starred in The Secrets of Nero Wolfe Invasion 24 Hours at Studio 60 as well as Ambulance Earth. In the series, she played Last Conflict. Her role as a character in The Department of Wet Cases, a Canadian television drama series won her the Gemini Award. She also played the ex-wife of one the main characters for several seasons of the television series Impact. Since 2010, she has been playing the character of Joan Campbell in the TV series Covert Operations. She starred on the big screen in 2002's Canadian film Cube 2. Also, appeared on screen in Angel Eyes Boys with Broomsticks The Tree of Life as in Hypercube. Divorced. Jude Lyon Matchett's child was her the first child she had on June 13, 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. Her stunning beauty, dazzling hair and enthralling portrayals of courageous heroines helped make her a household name in 1920. She charmed her audiences, no matter if she was freed from a Gallows scene in the film The Hunchback of Notre Dame by Charles Laughton (1939) or became a lover of Walter Pidgeon beneath a coal-blackened sky (How Green Was My Valley) with Natalie Wood or matched wits in The Quiet Man with John Wayne. Maureen O'Hara: The Queen of Technicolor, is the sole biography in a book of the screen icon. Aubrey Malone traces the life of the screen icon from Dublin, where she grew in, all the way to Hollywood's heights. Malone draws his information from Irish Film Institute production notes on films, along with old magazines and newspapers. Malone is also a bit more in-depth about the relationship between the actress and frequent costar John Wayne and her relationship with director John Ford and he addresses the controversial issue about whether the screen goddess is a woman or an antifeminist figure. The film icon was O'Hara from the golden age of cinema, but her penchant to keep her privacy private as well as her habit of making statements that were contrary to her own personal decisions have left her a mystery. This impressive biography offers the reader an insight into the person behind the bigger-than-life image. The book dispels misconceptions and provides an unfiltered look at one of Hollywood's greatest iconography.